Category Archives: Música

The Royal Ballet rehearse La Bayadère – World Ballet Day 2018 (Takada, Osipova, Muntagirov)

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Akane Takada (Nikiya), Natalia Osipova (Princess Gamzatti) and Vadim Muntagirov (Solor) rehearse Natalia Makarova’s La Bayadère, filmed as part of #WorldBalletDay 2018. Principal Guest Teacher Olga Evreinoff. Accompanied by pianist Grant Green. Find out more at https://www.roh.org.uk/productions/la…

Laurencia Variation: Osipova, Krysanova, Godunova

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Here a fascinating comparison of Laurencia Variation performed by Ekaterina Krysanova, Natalia Osipova, Evelina Godunova. Laurencia is a ballet made by Vakhtang Chabukiani to music by Alexander Krein, based on Lope de Vega’s Fuenteovejuna. Chabukiani created a new choreographic language by means of his own particular blend of folk dance and classical ballet. Laurencia was premiered in 1939 in the Kirov Theatre.

Pink Floyd – ” MOTHER ” The Wall 1980

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Live Earls Court London 1980

LYRICS

Mother, do you think they’ll drop the bomb?

Mother, do you think they’ll like this song?

Mother, do you think they’ll try to break my balls?

Ooooh aah, mother, should I build the wall?

Mother, should I run for president?

Mother, should I trust the government?

Mother, will they put me in the firing line?

Ooooh aah, is it just a waste of time?

Hush now, baby, baby, don’t you cry

Mama’s gonna make all of your nightmares come true

Mama’s gonna put all of her fears into you

Mama’s gonna keep you right here under her wing

She won’t let you fly but she might let you sing

Mama’s gonna keep baby cosy and warm

Ooooh, babe, ooooh, babe, ooooh, babe

Of course Mama’s gonna help build the wall

Mother, do you think she’s good enough?

Mother, do you think she’s dangerous?

Mother, will she tear your little boy apart?

Oooh aah, mother, will she break my heart?

Hush now, baby, baby, don’t you cry

Mama’s gonna check out all your girlfriends for you

Mama won’t let anyone dirty get through

Mama’s gonna wait up till you get in

Mama will always find out where you’ve been

Mamma’s gonna keep baby healthy and clean

Ooooh, babe, ooooh, babe, ooooh, babe

You’ll always be a baby to me

Mother, didn’t need to be so high

Link to Full Wall Concert and others

CANCIÓN DE LA LIBERTAD Nana Mouskouri

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(Castellano) Esta canción es uno de los muchos temas publicados en el blog “La solidaridad… ¡un buen remedio!”. ¡Visítalo! https://lasolidaridadunbuenremedio.com Si te gusta este canal, te gustará mucho más el blog, el cual contiene una recopilación de vidas y acontecimientos ejemplares, reflexiones, poemas, frases célebres, cuentos, humor, iniciativas, fotos, vídeos, escenas de cine, power points, canciones, etc., relacionados todos ellos con la solidaridad y otros valores.

V. Niclo & N. Mouskouri: ” Je chante avec toi Liberté ” – 300 Chœurs chantent les airs classiques

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Vincent Niclo & Nana Mouskouri ont interprété ” Je chante avec toi Liberté ” lors de l’émission ” 300 Chœurs chantent les grands airs classiques ” sur France 3. Chanson extraite du nouvel album de Vincent Niclo : ” TENOR. (22/11/2019)

Nikiya’s Death: Zakharova, Osipova, Nunez

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One of the most tragic scenes in Ballet, Nikiya’s Death from La Bayadère, is performed here by Svetlana Zakharova, Natalia Osipova and Marianela Nunez. Each of them has her own unique style and technique and we’re sure you’re going to find different interesting details between them. Enjoy and let us know what do you think by commenting below!

“Música de Graça” | de Fernando Lopes-Graça | por Joaquim Vieira | sáb, 16/12/2023

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Caro (a) amigo(a),

Vai estrear-se na RTP2 amanhã, dia 17, pelas 23h05, o meu documentário “Música de Graça”, sobre Fernando Lopes-Graça. No dia em que passa o seu 117º aniversário, convido-vos a fazerem uma viagem de descoberta ou aprofundamento da obra daquele que foi o compositor português mais importante do século XX, conhecendo toda a ampla diversidade de uma rica e poderosa criação musical (através de quase meia centena de passagens das suas produções sonoras). Para a realização deste filme, contei com a generosa colaboração de quase duas dezenas de músicos, além de dois coros e duas orquestras.

Envio links para a introdução do documentário e para uma entrevista que dei sobre este trabalho (em “Temos Programa”, a partir do minuto 16:55).

Um abraço, Joaquim Vieira

https://www.rtp.pt/play/p11134/e733769/temos-phttps://www.youtube.com/results?search_query=youtube.com%2Fwatch%3Fv%3DirrqOYVN8CI#rograma?fbclid=lwAR31EWIHt7e_eORloc727szl0HbLDvOJrx2bgpc1u1mGJVunY1wRZVZLZQ4

Wagner | Der Ring Ohne Worte / The Ring Without Words (Century’s recording: Otto Klemperer)

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Otto Klemperer is undoubtedly one of the legendary conductors of the 20th century. Between 1959-1973: Otto Klemperer was appointed Music Director for life and then Principal Conductor of the Philharmonia Orchestra. In spite of the imposing size of this symphony orchestra, Klemperer has always succeeded in combining power and musical intimacy. He delivers the most charming “Siegfried-Idyll” of the entire discography. We have the impression that we are listening to a chamber orchestra with an intimate and shimmering sound. The new mastering allows us to appreciate all the orchestral colors of the Philharmonia as well as the superb acoustics of London’s Kingsway Hall and the warmth of the EMI recordings. Here is a Wagner laid bare, intimate, deep and powerful: the music, and only the music.

The Beatles | Now And Then | The Last Beatles Song (Short Film) | 02-12-2023

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Now and Then’s eventful journey to fruition took place over five decades and is the product of conversations and collaborations between the four Beatles that go on to this day. The long mythologised John Lennon demo was first worked on in February 1995 by Paul, George and Ringo as part of The Beatles Anthology project but it remained unfinished, partly because of the impossible technological challenges involved in working with the vocal John had recorded on tape in the 1970s. For years it looked like the song could never be completed. But in 2022 there was a stroke of serendipity. A software system developed by Peter Jackson and his team, used throughout the production of the documentary series Get Back, finally opened the way for the uncoupling of John’s vocal from his piano part. As a result, the original recording could be brought to life and worked on anew with contributions from all four Beatles. This remarkable story of musical archaeology reflects The Beatles’ endless creative curiosity and shared fascination with technology. It marks the completion of the last recording that John, Paul and George and Ringo will get to make together and celebrates the legacy of the foremost and most influential band in popular music history.

Esta magnífica música russa é surpreendente – Maravilhosa orquestra sinfônica jovem em Hi-Res

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Orquestra Sinfônica Gimnazija Kranj maestro: Nejc Bečan arranjo: Marjan Peternel

Esta gravação é particularmente lendária. Nossa engenheira de equilíbrio Mitja Krže da National Radio fez um design de som incrível. A geração de ouro da orquestra tocou esta gravação marcante com maestria e excelência artística nunca antes vistas. Muitos desses músicos estão tocando agora nas melhores orquestras sinfônicas do mundo: Symphonieorchester des Bayerischen Rundfunks, Orquestra Filarmônica de Berlim, Orquestra Filarmônica de Viena, Tonhalle Zürich, Orquestra Filarmônica Eslovena, Ópera Estatal de Viena, Ópera de Frankfurt, Kremerata Báltica, Ópera Estatal da Baviera e outras renomadas orquestras ao redor do globo.

Palestrina: Tu es Petrus, Frederico Lourenço

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No mesmo ano em que, em Lisboa, era publicada a primeira edição de «Os Lusíadas» (1572), era publicada em Roma a colectânea musical de outro Luís, o maior génio musical que alguma vez pisou o chão do Vaticano: Giovanni Pier Luigi da Palestrina (que por sinal nasceu, ao que parece, no mesmo ano em que nasceu Luís de Camões: 1525).

Nesta coletânea, veio a lume uma obra coral intitulada «Tu es Petrus». Descobri-a quando eu era ainda adolescente; e lembro-me de ir à antiga Valentim de Carvalho (antes do incêndio do Chiado) encomendar a partitura desta obra, de tal forma eu a amava e queria ver as notas musicais no papel.

A música desta peça – na sua absoluta simplicidade e na sua simples absoluteza – parece ter a marca de Deus, tal como o «Benedictus» da Missa Solemnis de Beethoven ou outras grandes obras da música sacra. Parece ser uma mensagem de Deus à humanidade.

Em Junho de 2010, quando eu tinha chegado ao fundo do abismo de um luto avassalador e já não aguentava mais viver, houve um fim-de-semana crítico em que eu estava sozinho em Coimbra, sem nada a que recorrer. E lembrei-me de «Tu es Petrus» de Palestrina; e fui vasculhar na confusão de CDs desorganizados em minha casa para ver se eu tinha essa obra. Tinha. Ouvi-a dezenas de vezes seguidas. E salvou-me.

Continuar a ler →

NABUCCO Verdi | Grand Théâtre de Genève

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Orchestra Orchestre de la Suisse Romande | Chorus Grand Théâtre de Genève Chorus | Music Giuseppe Verdi

Politics. Religion. Nabucco is Verdi’s retelling of the Old Testament story of King Nebuchadnezzar II’s religious conversion. On one side, the fiery Hebrew priest Zaccaria, battling to lead his people from oppression. On the other, Nabucco, the tyrannical Babylonian king and his adopted daughter Abigaille, who will stop at nothing to get her father’s throne and her sister’s lover. Will King Nabucco’s ambition rob him of his beloved daughter as well as his kingdom?

Nabucco was an instant success at its 1842 premiere, with the famous Chorus of the Hebrew Slaves (‘Va, pensiero’) taking on a political resonance that still echoes today. The twists and turns of this epic early opera by Giuseppe Verdi are often seen as a call to the national liberation struggle that would eventually lead to Italian unity. Exile and power, displaced populations and forced migrations are themes dear to Christiane Jatahy. The Brazilian director, filmmaker and author, who was awarded the Golden Lion for Lifetime Achievement at the Venice Biennale in 2022, gives new life to Verdi’s metaphor of the Bible by introducing the words of those who still stand up to tyrants and extremist ideologies today around the world. In this hall of mirrors, in which chorus and audience are reflected, maestro Antonino Fogliani leads the Orchestre de la Suisse Romande through Geneva’s new production of Verdi’s masterpiece along with a cast of excellent bel canto singers, including Riccardo Zanellato, Nicola Alaimo and Saioa Hernández. Here is a telling of epic history to help us reflect on our world today. Full performance streamed on Opera

Vision from 30 June 2023 at 19:00 CET to 30 December 2023: https://operavision.eu/performance/na…