In memoriam Jerry Hadley (June 16, 1952 – July 18, 2007) https://en.wikipedia.org/wiki/Jerry_H… * “Nobles seigneurs, salut” from “Les Huguenots” – von Stade * Duet from Act I of “Cherubin” – von Stade & Ramey * “Pourquoi me reveiller” from “Werther” – Hadley * “Le veau d’or” from “Faust” – Ramey * Prayer and final trio from “Mignon” – von Stade, Hadley & Ramey * “Vedrai, carino” from “Don Giovanni” – von Stade * “Dies Bildnis ist bezaubernd schön” from “Die Zauberflöte” – Hadley * “Non piu andrai” from “Le Nozze Di Figaro” – Ramey * “La ci darem la mano” from “Don Giovanni” – von Stade & Ramey * “Una furtiva lagrima” from “L’Elisir d’Amore” – Hadley * “Sorgete, sorgete” from “Maometto Secondo” – Ramey * “Nacqui all’affanno” from “La Cenerentola” – von Stade
25 Best Opera Arias00:00:00 Puccini: Gianni Schicchi – O mio babbino caro 00:02:36 Rossini: Il barbiere di Siviglia: Largo al factotum (Cavatina) 00:07:09 Mozart: Die Zauberflöte – Queen Of The Night 00:10:13 Puccini: La Bohème – Mi chiamano Mimì 00:14:58 Donizetti: L’Elisir d’Amore – Una furtiva lagrima 00:19:50 Verdi: Rigoletto – La donna é mobile 00:22:02 Puccini: Tosca – E lucevan le stelle 00:25:14 Mozart: Le nozze di Figaro – Non più andrai 00:29:06 Bellini: Norma – Casta diva 00:35:52 Verdi: Un ballo in maschera – Ma se m’e forza perderti 00:40:47 Puccini: Turandot – Nessun dorma 00:44:56 Leoncavallo: Pagliacci – Vesti la giubba 00:48:51 Verdi: La Traviata – Sempre libera 00:52:33 Saint-Saëns: Samson and Delilah – Mon coeur s’ouvre à ta voix 00:58:19 Puccini: Tosca – Vissi d’arte 01:01:37 Bizet: Les pêcheurs de perles – Au fond du temple saint 01:06:11 Mozart: Le nozze di Figaro – Cinque… dieci… Venti (No. 1 Duettino) 01:08:56 Verdi: Rigoletto – Ella mi fu rapita…Parmi veder le lagrime 01:13:51 Puccini: Manon Lescaut – Donna non vidi mai 01:16:30 Massenet: Werther – Pourquoi me réveiller 01:19:26 Offenbach: Tales of Hoffmann – Barcarolle 01:23:11 Verdi: Luisa Miller – Quando le sere al placido 01:28:45 Puccini: Gianni Schicchi – Firenze è come un albero fiorito 01:32:02 Verdi: Il Trovatore – Ah si’ ben mio coll’essere 01:35:05 Giordano: Andrea Chenier – La Mamma Morta
Listen to some of the most beloved overtures and arias from famous operas and operettas by Mozart, Léhar, Strauss, Offenbach, Lecocq and Kálmán. This 2017 concert in Paris had the audience literally dancing in the aisles! Featuring the Orchestre de Paris under the baton of Thomas Hengelbrock and vocal performances by soprano Annette Dasch and tenor Cyrille Dubois.
00:00 Intro 00:16 Wolfgang Amadeus Mozart, Overture From the opera “Le nozze di Figaro” 05:24 Franz Léhar, Lippen schweigen From the operetta “Die lustige Witwe” Cyrille Dubois | Tenor Annette Dasch | Soprano 09:51 Johann Strauss, Overture From the operetta “Die Fledermaus” 18:29 Jacques Offenbach, Ballet des mouches: Galop From the operetta “Orpheus in the Underworld” 20:48 Jacques Offenbach, Cest le ciel qui menvoie… ce nest qu’un rêve From the operetta “La belle Hélène” Cyrille Dubois | Tenor Annette Dasch | Soprano 26:41 Jacques Offenbach, Galop infernal From the operetta “Orpheus in the Underworld” 29:10 Charles Lecocq, Ô Paris, gai séjour de plaisir From the operetta “Les cent vierges” Annette Dasch | Soprano 33:47 Johann Strauss, Csárdás From the opera “Ritter Pázmán” 39:03 Emmerich Kálmán, Heut’ Nacht hab’ ich geträumt von dir Form the operetta “Das Veilchen vom Monmartre” Cyrille Dubois | Tenor 41:54 Emmerich Kálmán, Lieber Schatz… Sag ja, mein Lieb, sag ja from the operetta “Gräfin Mariza” Cyrille Dubois | Tenor Annette Dasch | Soprano
What I really love about this performance is the fact Diana Vishneva is still looking so young, so good technically, but at the same time she brings to this role such kind of maturity incomparable to any other ballerinas… That’s why I am always so touched when we can admire ballerinas at her best as an artist, when you look at them and you don’t think about all difficult variations, attitudes, but you enjoy the real character.
For me here, she isn’t a ballerina playing the role of Giselle, she is Giselle! And I really love to see the growth of such a big talent she certainly has been since far 1994 year when performed and won Prix de Lausanne. I miss her so much in this role and I am more than conviced that even nowadays she could manage to perform it with same passion and technically so strong as we can see here.
Giselle remains one of the most popular Romantic ballets of all time. The story brings together an engaging mix of human passions, supernatural forces, and the transcendent power of self-sacrificing love. The production by Sir Peter Wright catches the atmosphere of this great Romantic ballet, especially in the perfection of its White Act, with ghostly maidens drifting through the forest in spectacular patterns — one of the most famous of any scenes for the corps de ballet. Giselle dances with lightness and fragility, giving the impression of floating through the mist. This is one of The Royal Ballet’s most loved and admired productions, faithful to the spirit of the 1841 original yet always fresh at each revival.
This performance features former Bolshoi star and now Royal Ballet principal Natalia Osipova in a breath-taking interpretation of the title role. Giselle: Natalia Osipova Albrecht: Carlos Acosta Orchestra of the Royal Opera House Choreography Marius Petipa after Jean Coralli and Jules Perrot Conductor Boris Gruzin Recorded live at the Royal Opera House, January 2014
00:00 UNA VOCE POCO FA • Gioacchino Rossini “Il Barbiere Di Siviglia” 06:48 VISSI D’ARTE • Giacomo Puccini “Tosca” 10:04 ADDIO DEL PASSATO • Giuseppe Verdi “La Traviata” 13:31 SICILIANA • Giuseppe Verdi “I Vespri Siciliani” 17:30 CASTA DIVA • Vincenzo Bellini “Norma” 24:45 SÌ, MI CHIAMANO MIMÌ • Giacomo Puccini “La Bohème” 29:32 UN BEL DÌ VEDREMO • Giacomo Puccini “Madama Butterfly” 34:02 AH, FORS’È LUI – SEMPRE LIBERA • Giuseppe Verdi “La Traviata” 42:21 PACE, PACE MIO DIO • Giuseppe Verdi “La Forza Del Destino” 48:46 QUAL FIAMMA AVEA NEL GUARDO • Ruggero Leoncavallo “I Pagliacci” 53:28 EBBEN NE ANDRÒ LONTANA • Alfredo Catalani “La Wally” 58:16 MIO BABBINO CARO • Giacomo Puccini “Gianni Schicchi” 1:00:48 MADRE MIA • Amilcare Ponchielli “La Gioconda” 1:02:41 QUANDO, RAPITO IN ESTASI • Gaetano Donizetti “Lucia Di Lammermoor” 1:07:41 TACEA LA NOTTE PLACIDA • Giuseppe Verdi “Il Trovatore” 1:13:50 SPARGI D’AMARO PIANTO • Gaetano Donizetti “Lucia di Lammermoor” 1:18:00 GIASON! DEI TUOI FIGLI LA MADRE • Luigi Cherubini “Medea” 1:25:27 SIGNORE, ASCOLTA • Giacomo Puccini “Turandot” 1:27:56 OMBRA LEGGERA • Giacomo Meyerbeer “Il Perdono Di Ploermel” 1:33:35 SUICIDIO! • Amilcare Ponchielli “La Gioconda” 1:38:11 CARO NOME • Giuseppe Verdi “Rigoletto” 1:44:56 HO VISTO IL FIGLIO SUL MATERNO SEN • Richard Wagner “Parsifal” 1:52:44 UNA MACCHIA È QUI TUTTORA • Giuseppe Verdi “Macbeth”
Sopranistin Nadine Sierra, Tenor Stephen Costello und Bariton Andrzej Filończyk.
Hannover Klassik Open Air 2021 00:00 Giuseppe Verdi: Ouvertüre (Sinfonia) 00:20 zur Oper “La Forza del Destino” Gaetano Donizetti: “Regnava nel silenzio” 08:48 aus der Oper “Lucia di Lammermoor” Gioacchino Rossini: “Largo al factotum” 17:55 aus der Oper “Il barbiere di Siviglia” Gaetano Donizetti: “Caro elisir! … Esulti pur la barbara” 23:09 aus der Oper “L’elisir d’amore” Giuseppe Verdi: Ballabile (Ballettmusik) 32:32 aus der Oper “Otello” Giuseppe Verdi: “Di provenza il mar, il suol” 39:30 aus der Oper “La Traviata” Giuseppe Verdi: “É strano! – Sempre libera degg’io” 44:19 aus der Oper “La Traviata” Giacomo Puccini: “O Mimì, tu più non torni” 55:20 aus der Oper “La Bohème” Giacomo Puccini: Intermezzo (3. Akt) 1:00:30 aus der Oper “Manon Lescaut” Giacomo Puccini: “E lucevan le stelle” 1:06:44 aus der Oper “Tosca” Emmanuel Chabrier: España 1:11:52 Rhapsodie für Orchester Georges Bizet: “La fleur que tu m’avais jetée” 1:19:37 aus der Oper “Carmen” Charles Gounod: “Je veux vivre” 1:24:38 aus der Oper “Roméo et Juliette” Jules Massenet: “Manon! Sphinx étonnant” 1:09:30 aus der Oper “Manon”
Nadine Sierra, Sopran
Andrzej Filończyk, Bariton Stephen Costello, Tenor Ivan Repušić, Dirigent
NDR Radiophilharmonie
Mitschnitt vom 21. August 2021, Hannover Klassik Open Air, Maschpark Hannover
Simon Bolivar Symphony Orchestra of Venezuela Simon Bolivar National Youth Choir of Venezuela Samia Ibrahim, Soprano Katiuska Rodriguez, Mezzo-Soprano Robert Giron, Tenor Alvaro Carrillo, Bass-Baritone Gregory Carreño, Conductor
Em Sun&Sea, a praia é uma janela para a sociedade. Vemo-la de cima e são muitas janelas. Os pensamentos de praia que ocorrem aos veraneantes são umas tantas, a compor um libreto cantado. Ouve-se e vê-se desigualdade, frivolidade, indiferença, compromisso político, encantamentos, diversidade, os corpos a ocuparem-se gestos de afirmação. Os livros ou revistas que eles lêem, o que comem, como se deitam na praia, no que se deitam são outras tantas janelas.
A praia é um caleidoscópio de presenças tácitas, murmúrios para dentro, da sociedade, apresentados sob o mesmo sol, a dividirem o espaço exíguo com espreguiçadeiras, toalhas, esteiras, cangas. Poderia ser uma distopia, ou a imagem dela. Não faltam razões. Nem um cão. E, no entanto, quando termina a ópera resistimos a sair. Já nos despimos alguma coisa, a entrar naquele tempo que conhecemos da praia, que dura o que o Sol der em calor. Talvez a utopia não esteja à distância da praia mais próxima, mas há ali uma força de partilha do Sol e daquele tempo que pode derreter aquela exiguidade que escancara o outro lado das janelas.
Laudate Dominum, from Vesperae solennes de confessore (K. 339) by Wolfgang Amadeus Mozart. Aksel Rykkvin (treble) Oslo Domkor / Oslo Cathedral Choir IRIS kammerorkester / IRIS chamber orchestra. Vivianne Sydnes (conductor). The performance was part of Desembertoner, which are free Christmas concerts with popular artists in Oslo Cathedral, sponsored by Nordea. Live recording on Dec 16th 2016.
0:00-Teresa Berganza-Le nozze di Figaro, K. 492, Act 2:”Voi che sapete” 2:50-Heather Harper -Le nozze di Figaro, K. 492, Act 2:”Porgi, amor” 7:08-Thomas Allen-Don Giovanni, K. 527, Act 2:”Deh vieni all finestra”
Waltraud Meier as Isolde – Bayreuther Festspiele, 1999. “Liebestod” (“Mild und leise”). Excerpt from the documentary “Ich folg dem innern Triebe” (“I follow a voice within me”) – A Portrait of the Singer Waltraud Meier.
A few days ago, (April 2022), François Alu was nominated Dancer Étoile of the Paris Opera Ballet. This is the highest honor an artist can achieve in the famous French ballet company.
Enjoy 2 Hours Classical Music with the biggest masterpice of all time, This video collects the essential of Giuseppe Verdi HQ [Full Recording in High Quality Sound]
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TRACKLIST:
00:00:00 – La Donna E Mobile (Rigoletto) 00:02:21 – Chorus Of The Hebrew Slaves (Nabucco) 00:06:20 – Overture (La Forza Del Destino) 00:09:27 – Un Di Felice (La Traviata) 00:12:55 – Merce, Dilette Amiche (I Vespri Siciliani) 00:16:27 – Brindisi (La Traviata) 00:19:24 – Di Quella Pira (Il Trovatore) 00:21:18 – Anvil Chorus (Il Trovatore) 00:23:58 – Stride La Vampa! (Il Trovatore) 00:26:26 – Ritorna Vincitor (Aida) 00:33:51 – Dio, Che Nell’alma Infondere (Don Carlo) 00:38:29 – Prelude (La Traviata) 00:42:20 – Caro Nome (Rigoletto) 00:48:15 – O Don Fatale (Don Carlo) 00:52:56 – Celeste Aida (Aida) 00:57:57 – Ernani, Involami (Ernani) 01:00:35 – Di Tu Se Fedele (Un Ballo In Maschera) 01:03:54 – Morro, Ma Prima In Grazia (Un Ballo In Maschera) 01:08:35 – Quando Le Sere Al Placido (Luisa Miller) 01:12:11 – Grand March (Aida) 01:17:08 – Dies Irae (Messa Da Requiem) 01:19:30 – Pace, Pace, Mio Dio! (La Forza Del Destino) 01:25:06 – Questa O Quella (Rigoletto) 01:27:01 – Bella Figlia Dell’amore (Rigoletto) 01:30:58 – Ave Maria (Otello) 01:35:47 – Parigi, O Cara (La Traviata) 01:40:07 – Ah, La Paterna Mano (Macbeth) 01:42:35 – Squilli, Echeggi La Tromba Gerriera (Il Trovatore) 01:45:22 – O Carlo, Ascolta (Don Carlo) 01:49:32 – Ingemisco (Messa Da Requiem) 01:53:04 – Come In Quest’ora Bruna (Simon Boccanegra) 01:56:39 – Brindisi (Macbeth) 02:00:05 – O Patria Mia (Aida) 02:05:29 – La Mia Letizia Infondere (I Lombardi) 02:07:51 – Lo Sguardo Avea Degli Angeli (I Masnadieri; soprano: Montserrat Caballé) 02:11:45 – Solenne In Quest’ora (La Forza Del Destino) 02:15:59 – Patria Oppressa (Macbeth) 02:20:52 – Tacea La Notte (Il Trovatore) 02:24:32 – Dal Piu Remoto Esilio…O Dio Solo, Ed Odio Atroce (I Due Foscari) 02:29:27 – Auto-Da-Fe Chorus (Don Carlo)
1. Hector Berlioz – Le Carnaval romain, Ouverture caractéristique op. 9 | 2. Hector Berlioz – “D’Amour l’ardente flamme” from “La Damnation de Faust” | 3. Camille Saint-Saëns – Bacchanale (3rd Act) from “Samson et Dalila” | 4. Camille Saint-Saëns – “Mon coeur s’ouvre à ta voix” (2nd Act) from “Samson et Dalila” | 5. Georges Bizet – Selections from Carmen | 6. Manuel de Falla – Excerpts from the ballet El sombrero de tres picos | 7. Ruperto Chapi – Las hijas del Zebedeo “Al pensar” | 8. Agustin Lara – Granada (Encore)
Vincenzo Bellini: “Norma”, “Casta Diva”, Asmik Grigorian, soprano, National Philharmonic Orchestra of Russia, Gintaras Rinkyavichus, conductor. Moscow, 14 January 2020.
The Lithuanian soprano, Asmik Grigorian, was born in 1981, in a family of famous singers Irena Milkevičiūtė and Gegam Grigorian. In 1999 she joined the Lithuanian Academy of Music and Theatre in singing class, where she completed master’s studies in 2006. She was a founding member of Vilnius City Opera and has twice been awarded the Golden Stage Cross (the highest award for singers in Lithuania), in 2005 for her debut as Violetta and in 2010 for her performance as Mrs. Lovett Sweeney Todd. She won the Young Female Singer prize at the International Opera Awards (2016). Asmik Grigorian sang in the Lithuanian opera in Vilnius, in the Latvian National Opera in Riga, at the Mariinsky Theatre in St. Petersburg, with the BBC Philarmonic Orchestra and the Lithuanian Chamber Orchestra, in Operhaus Köln, at the Komische Oper Berlin, Oper Graz, and Staatsoper Hamburg among others. Her latest success came in Salzburg festival (2018) with Salome’s tittle role where “her portrayal of Strauss’ heroine has been met with unanimous praise from critics across the world.”
This aria was recorded during a concert in Vilnius, 2018.12.07
AIDA Es un nombre femenino que significa “visitante” o “regresando” es una ópera en cuatro actos con música de Giuseppe Verdi y libreto en italiano de Antonio Ghislanzoni, fue estrenada en el Teatro de Ópera del Jedive en El Cairo el 24 de diciembre de 1871 Y dirigida por Giovanni Bottesini.
En contra de la creencia popular, la ópera no se escribió para conmemorar la inauguración del Canal de Suez en 1869, ni tampoco para el Teatro de Ópera del Jedive en el Cairo y el mismo año.
Es cierto que A Verdi le pidieron componer una oda para la apertura del Canal, pero declinó la petición arguyendo que no escribía “piezas ocasionales”, más cuando Verdi leyó el argumento escrito por Auguste Mariette lo consideró como una buena opción y finalmente aceptó el encargo el 2 de junio de 1870.
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